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The 98th Academy Awards winners are officially in, and the results leave some far more disappointed than others. As is typical of Oscar season, irony has a peculiar way of catching actors and directors off guard. After all, this is about cinema, and what drives cinema, one could argue, is drama and irony.
It was especially tough for actor Timothée Chalamet, whose bid for long-awaited greatness fell dramatically short, a letdown of staggering proportions; Marty Supreme (the character he plays in Josh Safdie’s new film) didn’t reign supreme in best actor, and the engineered hype fizzled out rather quickly.

For auteur Paul Thomas Anderson, however, the Oscars just kept stacking up. His film One Battle After Another triumphed over Sinners, the film many had expected to win best picture. He also won best director, a gesture many interpret as the Academy making up for overlooking his previous films. It’s true; he should have won for There Will Be Blood (2007) or even the star-studded Magnolia (1999). But hey, we’re still happy for him. For Anderson, it was one Oscar after another, as it were.
Michael B Jordan won best actor for his role – or rather, roles, since he plays twins – in Sinners, directed by Ryan Coogler. The win is a testament to his versatility, range, and ultimately, the kind of charisma that can carry not just one character but two. Coogler and Jordan’s creative partnership goes back to Coogler’s directorial debut Fruitvale Station (2013). Since then, they have become one of Hollywood’s most exciting director-actor duos.
Jessie Buckley won the best actress award for her heartbreaking performance as Agnes Shakespeare in Chloé Zhao’s Hamnet. Representing Irish excellence, Buckley has long been praised for her remarkable acting talent. While some audiences may know her from Charlie Kaufman’s I’m Thinking of Ending Things (2020), many will now recognise her from Hamnet as well as Maggie Gyllenhaal’s The Bride!, currently in theatres.
If there were an award for the most gleefully deranged characters of the year, these two might still win. Sean Penn picked up best supporting actor for his portrayal of the libido-overcharged, cartoonishly villainous Steven J. Lockjaw in One Battle After Another. Amy Madigan followed with best supporting actress as the eerie, witchcraft-leaning grandmother in Weapons. Their performances share an unsettling quality: both are creepy enough to make audiences squirm, yet comical enough to make them laugh.
Joachim Trier’s Sentimental Value won best international feature film, beating out strong contenders. It was a close race, with Jafar Panahi’s It Was Just an Accident and Kleber Mendonça Filho’s The Secret Agent close behind. Many argue that Panahi deserved the win because of the risks – not just creative ones, but also political ones – he took in making the film. For some observers, it was unbelievable (quite literally) to see Norway triumph over Iran and Brazil. They feel the victory may not be as justified as fans of Trier’s work would like to believe.
It’s a good year for vampire slayers (Sinners) and demon hunters. Another demon-fighting story, KPop Demon Hunters, also picked up awards at the Oscars, winning best animated feature and best original song. The catchy single “Golden” has been an earworm for many, particularly Zoomers who hear it on repeat.
Joseph Kosinski’s F1 won best sound, beating out One Battle After Another. Perhaps unsurprisingly, the Academy loves the sound of revving engines. They apparently also love computer-generated spectacles, as the best visual effects award was given to Avatar: Fire and Ash.

On the sartorial front, Kate Hawley took home the award for best costume design for her work in Guillermo del Toro’s Frankenstein. The film also won best makeup and hairstyling. Among the nominees, Frankenstein is arguably the most attuned to fashion sensibilities. It goes to show how striking design (and, more broadly, visual aesthetics) can elevate a film, not as a background but as part of the emotions conveyed. Cinema is fundamentally a visual medium, and while narrative plays a crucial role, it is far from the only factor that shapes a film’s impact.
Koktail has previously written about the film’s costume design. You can find the article here.
Best picture
Best actress
Best actor
Best supporting actress
Best supporting actor
Best director
Best animated feature
Best international feature
Best documentary feature
Best original screenplay
Best adapted screenplay
Best original song
Best original score
Best cinematography
Best film editing
Best sound
Best visual effects
Best production design
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